Archive for October, 2009

Crumbling Cambodian Casino

Monday, October 5th, 2009

shuttered casino
Hand-printed cyanotype photo on Lanaquarelle paper, from Bokor Hill Station, Cambodia.
First in a limited edition of 20 prints.

My Bokor in Blue series of cyanotype prints are now available from John McDermott Gallery in Siem Reap, Cambodia. Each print in the edition is unique due to my brushed application of the chemicals, and the available sunlight and water that day.

The image above was taken during the 16 months I lived in Siem Reap, Cambodia, from 2005-6. When not printing photos, I worked as a radio DJ and organized a program to teach photography to children who’d been injured by landmines. Eventually I worked with the Angkor Photo Festival to teach digital photography to street children.

This series was my first visual work to explore the no-man’s-land of cultural fusion and friction, particularly between East and West. Bokor was built by the French for their wealthy colonists in the early 20th century, then was a popular spot for the Cambodian King and elite during the 1960′s Reyum period. It still bears the scars of the Khmer Rouge-Vietnamese conflict during the 70s, and graffiti from the trickle of travellers who’ve made their way there ever since.

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Blue Batik from Sapa to Saint Paul

Sunday, October 4th, 2009

batik

Hmong artwork at a morning market in Sapa, northern Vietnam. These designs have been adapted for contemporary tastes, while still retaining traditional design elements, like the whorl patterns modelled after snail shells.

Many of the villages I visited during my travels this year were Hmong, because papermaking is one of their traditional artforms. I have a particular interest in the Hmong because some of my classmates grew up in one of the largest Hmong communities in America in St. Paul, Minnesota.  The Hmong have survived countless threats by majority cultures: from China they migrated to SE Asia, then many came to the US after the Pathet Lao took over the country of Laos.

Whether you’re travelling in southern China, northern Thailand, or San Diego, you can find similar batik and embroidered designs that have been made for hundreds of years. The blue and white of indigo-dyed batik is a common sight in the mountain regions of Southeast Asia.  Here’s a photo essay I published with ThingsAsian that describes batik on hemp fabric, handmade made in many Hmong households in the region.

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About Me

I'm an american artist with an Asian focus.
I paint sharp-witted women.
I print blue photos of disappearing places. Sometimes I work in Sydney, sometimes I work in Asia. You can keep up and connect with me on Twitter, and Facebook, and Flickr

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