Archive for September, 2009

Lijiang Street Food: from the Savory to the Strange

Monday, September 28th, 2009

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Yunnan ham = Chinese prosciutto (Looks uncannily like a Dutch masters’ still life doesn’t it?)

Southwestern Chinese towns have been cosmopolitan for millennia. Trade routes across the continent zig-zagged through the region, and left traces of cuisines from thousands of miles away. Lijiang in Yunnan province was a popular stop-off point for Tibetan, Sichuan, and South Asian travellers passing through on the Tea & Horse road.

The best food in Lijiang comes from its street corners and small restaurants. Here’s a selection from some of my favorite vendors.

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Lijiang baba is a portable snack of fried bread, either plain or flavored with onions and herbs. You can easily stick a half-dozen in your saddle-bags, and you’ll be ready for anything.

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Baozi are those ubiquitous Chinese buns, filled with delectable meat and spices. They’re a staple of northern diets. See the steam coming from these? This shop makes them fresh, all day long.

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Baked lijiang baba on a pile of black “rice sausage” and grey bean-jelly – both typical Naxi delicacies. You’ll see them all over town.

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Ok I admit it – I never tried these eggs. Covered with mud and rice husks, they were just too hairy-looking. I shot these at my favorite local restaurant.

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These guys are making one of my favorite snacks: a “Lijiang hamburger”, made especially for the tourist trade. Here they’re toasting the bread on a small griddle.

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And here’s the “burger”. There’s no meat in it – just jellied noodles, coriander, and plenty of chilli pepper & garlic. Most tables in Lijiang have chili pots on them, just like those in Sichuan.

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Another treat that delicious but isn’t exactly local are these fishes-on-a-stick. I highly recommend the chocolate flavor.

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Fresh from the hive to a street corner near you. With a climate similar to that of northern California, in Lijiang everything’s fresh from nearby fields, all year round.

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Healthy biscuits from street-side bakeries. Low on sugar, and packed with peanuts and sesame seeds, they’re a great way to fuel explorations of nearby towns like Suhe and Baisha.

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Photo Friday: Tools of the Trade

Friday, September 25th, 2009

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A Red Dao family shows off their papermaking tools in Northern Vietnam. June 2009

We’d heard there was one village that might still make a particular paper I’d been looking far, up winding paths through mountains that surround Sapa, Vietnam. Our guide and her brother got lost repeatedly, but asking for directions in every village and hamlet was part of the fun.

There were rocks piled into half-walls outside many of the houses; they’d fallen from mountains during a devastating earthquake several years before. This small village had only a few dozen people left, and many of the families were related. The old man was proud of his papermaking tools, and was happy to bring them out for our inspection.

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Nothing Common about Creativity

Wednesday, September 23rd, 2009

Yum Cha
Hand-tinted cyanotype on Somerset paper, of Yum Cha, a.k.a. Dim Sum. Click on the image for my Flickr page

My much-neglected Flickr account has been revamped, streamlined, and will have more new images soon. In addition, I’ve decided to allow creative commons licensing of my photos for non-commercial use (with a link to my website). It’s got the catchy name of “Attribution-NonCommercial-NoDerivs License”.

Twitter has been an excellent place to share photos with other creatives around the world, and CC licensing expands that network further. I’ve not needed to upgrade to a Pro account, as I like to keep my image count low. It serves as a sampler of my work rather than a complete survey of it.

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How to Drop Two Dress Sizes in a Single Day

Monday, September 21st, 2009

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Image from my Calendar Girls series

Ten days ago, I went from being a size L/XL to a Medium overnight.

It’s easy: catch a plane from anywhere in Asia to a western country, particularly an Anglo-influenced one like the US/Australia. It’s a shock as soon as you step into a new, more western mix of humanity: everyone around you is HUGE, compared to what you’ve gotten used to in Asia. The mind has to readjust to new version of normality.  A new template. This new version’s often taller, and is always wider.

This holds true from clothing sizes to bra sizes [more on those later on].

Last weekend I met an old friend Sydney’s Chinatown. We’d met during my time in Korea, and hadn’t seen one another in four years. “You look tired,” he said, a polite reference to how I’ve aged during my early 30s. [He'd aged too, but I didn't say anything; I'd forgotten how forward Korean men were about appearance.] We walked through a warren of alleys dotted by fluorescent-lit signs of estate agents and restaurants, the bilingual traditional Chinese-English signs more familiar than those in our present west Sydney neighborhood.

As we speared meat into a reasonably-authentic Korean barbeque, he looked over at me and said: “How come you haven’t changed, but your husband got a belly now?”  It was probably because I’d spent most of this year in Asia. Australia is as car-mad as America. Australian food, while as fresh and healthy as anything I’ve had in California, is in Texas-sized portions as in the States, with a similar emphasis on meat & dairy.

Numbers can do wonder for one’s self-confidence – and for clothing companies’ bottom lines. Take vanity sizing: since I began leaving the US frequently for the past 12 years, I’ve noticed that american sizes have been creeping downward as our waistlines fill out. This adds more confusion to already-baffling international sizes. When asked “What size are you,”by a salesperson,  my answer is: “It depends”.  It ranges from size 4-8 (U.S., depending on the brand) to size 38 (European) to XL (Vietnam/Thailand).

However, in urban Asia, sizes are also increasing along with a more modern lifestyle. This is particularly noticeable in China, a vast country where those with northern ancestors can be significantly taller than southerners. In a Kunming department store, I saw a row of festive brilliant red bras, of a hue I’ve never seen in a Western lingerie shop: they looked like a celebration waiting to happen under conservative clothes.

A closer look at them revealed that yes, indeed, some Chinese women even wear my size. So I bought a Chinese-red bra as a souvenir of the nation’s time of transition. And to make some more memories once I got back home.

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Photo Friday: Blackheath, NSW

Friday, September 18th, 2009

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From a trip to Blackheath last weekend to visit their art studios. Dusk dropped quickly under a huge sky, at a lookout point on the way back to Sydney. R. snapped this photo of me against gravel and scrubby springtime trees.

Getting Down & Dirty with Art

Wednesday, September 16th, 2009

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Taking a break from socializing at my Cyan Studio artspace, Hong Kong 2008

Wanted – Artists Studio: A Clean, Well-Lit Place for Art

Making art is a messy business – even messier than selling it these days in an art market turned upside down. While some art-processes are relatively clean – say, pencil drawing – most aren’t something you’d want to do in your living room. I was reminded of this after looking at the ruined polyester carpet in ours after I made batch of cyanotype photos at home. This just after we’d moved to Sydney, and my need to test negatives outweighed what others call common sense.

Last week I returned to Sydney, with a fistful of art projects to complete before going to Asia for more work next year.  I’ve been searching on Gumtree and speaking with artists I’ve met here, and should nail down a short-term studio soon.  Over the past 15 years I’ve made art in all sorts of spaces, and have learned a lot about what I need when looking for a studio.

Ventilation:

During university I worked evenings 30 hours/week, but devoted daytime to painting at our campus studios. Any empty classroom in the art building was fair game. Shared turpentine trays spewed fumes in the air as sparrows flitted through rafters overhead. Once I began to explore  encaustic painting for a grant program, my wax fumes added to the toxic mix.

Heat:

For two years I shared an unheated/uncooled warehouse space in Minneapolis with other artists: painters, furniture designers, sculptors. We built a gallery surrounded by our studios. The raw space had charm, but it was hard to paint while shivering.

Perspective:

In Korea and New York I squeezed my life and art studio into tiny apartments, and the work I made was terrible: precious and small, with a vision to match. The main problem? Not enough space to get a good look at the work I was making.

Light:

When I lived in Cambodia and made the Bokor in Blue series, I rented a house and had everything an artist could want, especially bright Cambodian sunlight. And the odd uninvited guest: scorpions, mostly.

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Guests of all ages & sizes showed up at Cyan Studio openings

Height:

Shortly after I moved to Hong Kong I rented a separate apartment with rooftop next to the sea, and called it The Cyan Studio. Once a month I opened up the studio and featured local artists from the island where I lived. While it was a great way to meet many creative neighbors, the ceilings were low while the one-bedroom layout was small, as was the work I made there. Small size – and scope – is a common criticism of much of the work made in Hong Kong; some of this is dictated by the spaces available to most artists.

Easy-to-clean floors:

During the transition from HK to Sydney, I had a home-based studio for awhile. This was fine as the illustrations I was finishing were small, and cyanotype spills were easy to clean up from our tile floor.

My plan for summertime in Sydney: make messy blue cyanotypes in a separate studio during the day, and write my book/work on the tidier, large-scale Calendar Girls in my home studio at night. No time for afternoons at the beach this year, there’s too much work to be done.

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Gimme Shelter [Rain or Shine]

Monday, September 14th, 2009

Umbrellas in Asia are for much more than just rainy days. They’re used to block sun, rain, drips from overactive air-conditioners, and even prying eyes. There are UV-blocking umbrellas for summertime, and huge, super-sturdy typhoon-proof versions too.

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My favorite umbrella is from [of all places] a tiny shop near Rome’s Termini train station, from my trip last year. It’s got a super-powerful handle, hot-pink details, and cheery-looking chartreuse bandages printed all over it. When its  metal spokes broke in Lijiang last month, my friends said: “Get a new one!” But nowhere in China would anyone sell anything remotely like my umbrella. Are you crazy? Hello Kitty, puppies frolicking in flowers, or lacy designs are fine. But bandages?! Why would ANYone walk around inviting bad luck by printing references to flesh wounds on their umbrella?

But the bandage design was exactly what I wanted. I was despondent and stubborn, a familiar state to anyone who knows me well.

That is, until I met the Umbrella Man.IMG_7836

I noticed him one afternoon outside my favorite dumpling shop at the edge of Lijiang’s Old Town. He and the local seamstress had set up shop – a pair of tiny workbenches with tools, umbrella-parts, and a foot-powered sewing machine – on a busy streetcorner.

“How much to fix this?” I asked him in passable mandarin, my aluminum umbrella spokes dangling. He gave it a quick perusal. “Ten kuai,” he said [around US $1.60]. Two hours later, after he fixed the spokes then broke and finally fixed the handle, he handed back my little piece of Italy.

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Thanks to Lijiang’s Umbrella Man, I’m protected from Sydney’s scorching sun this summer, whether we’re going to the Blue Mountains or to  the beach.

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Photo Friday: at the FCC Hong Kong

Friday, September 11th, 2009

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Swanning around the FCC this week – pretending to be a foreign correspondent – with the illustrious journalist Vernon Ram & photographer Bob Davis.

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A laid-back town – of 10 Million people

Tuesday, September 1st, 2009

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Only in Western China is it possible to find a gigantic, yet laid-back city like Chengdu. A major city in the spicy province of Sichuan, Chengdu regularly ranks towards the top in the “Livable City” category for China. Teahouses and midnight street-side barbeques are a staple of life in the slow lane, and I got a taste of both during a few short days in town.

But the real reason I was there was to see what local artists were up to. And while the Chengdu Biennale had some impressive paintings and sculptures on offer, I wanted to go straight to the source: to look at the artists at work in their studios.

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I'm an american artist with an Asian focus.
I paint sharp-witted women.
I print blue photos of disappearing places. Sometimes I work in Sydney, some times I work in Asia. You can keep up and connect with me on Twitter, and Facebook, and Flickr

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