Archive for August, 2009

Mobile Art Studio – Version 2

Saturday, August 22nd, 2009

Lijiang, China
Bougainvilleas burst just outside my room in this photo.

Last month I wrote about my first Mobile Studio in Lijiang, and that old adage is true: living in a new place gets cheaper every month.

While I was very happy at my last studio here, when I heard about the opportunity to stay in this boutique B&B run by a T’ai Chi fan and part-time antiques dealer, I jumped at it. She’s filled the place with Lijiang and Tibetan antiques, and her personality’s welcoming in lots of languages. Best of all, I’ve gotten an “artist discount” so am paying significantly less than last month, for a much bigger & more beautiful space.

From Chinese T’ai Chi masters to worldwide “visual anthropologists” fresh from a conference in Kunming, to the resident Korean t’ai chi instructor (who’s so dedicated to his art that he’s missing out on his baby son’s colicky first year) to Taiwanese documentary students, fellow visitors have all had extraordinary backgrounds. Then there’s my favorite resident dog named “Yes,” a skittish little thing, all wagging tail & ears.

Another plus is the walk home from my Chinese classes in Lijiang’s old town: rather than crowded streets lined with tourist shops, I pass private homes in a real, working neighborhood, yet most houses still boast the traditional roofs and architecture of the northern Yunnan region.

I’ll let the pictures do the rest of the talking for me. You can see them at Flickr

Art & Money

Thursday, August 13th, 2009

IMG_7820

[photo of a study on Dongba paper for the Calendar Girls series which I'm working on this month at my studio in Lijiang, China]

Throughout much of the 20th century and into the next, Art and cold hard Cash have been at odds, in the eyes of artists, the public,  and those gallerists/curators who work with us.  ["Commercial art"  and Illustration are considered lowbrow compared to "high art", which is another debate altogether.]

The line in many art schools, parroted by tenuously-tenured academics, goes something like this: “making a living at your art is impossible” (perhaps because they feel this might apply to them, if they tried) “so get used to doing something else to avoid becoming a starving artist statistic – but you won’t be qualified to do anything but art anyway”.

Chris Guillebeau and Zoe Westhof are out to change that with their new Unconventional Guide to Art and Money .  It’s a refreshing, practical take on the business of art, for artists working in all media. And I’m pleased to take part in this project: I’m one of  about a dozen artists consulted for advice. My interview focuses on how my travels and “location independence” have inspired my art and brought me more artworld contacts; and how my versatile skills and mobile studios have made my income recession-resistant.

If you know someone in art school, or a practicing artist who could use a bump in their career, the Art & Money Guide could be just the jump-start they’ve been looking for.

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Hanging out in Hong Kong

Tuesday, August 4th, 2009

from the water

The Chinese consulate in Hanoi deceptively called the sticker they slapped in my passport a “6-month visa”. Two expensive, separate entries of 30 days each were less than ideal for my goals this year, but for once I decided to take what I could get rather than try for more. Still, I couldn’t complain: a visa run was an excuse to get back to my favorite Asian city of Hong Kong. And the most scenic way to go is by train.

Chinese trains are some of the most efficient, economical ways to travel the country. Hard- and soft-sleeper beds are comfortable – as long as you’re a man under 6 feet tall or a woman under size 10 US. But it’s true what they say about Chinese toilets: avoid whenever possible. The prospect of spending 24 hours on the train from Kunming to Guangzhou wasn’t intimidating – it was the toilets that scared me.

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About Me

I'm an american artist with an Asian focus.
I paint sharp-witted women.
I print blue photos of disappearing places. Sometimes I work in Sydney, sometimes I work in Asia. You can keep up and connect with me on Twitter, and Facebook, and Flickr

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