Archive for June, 2009

No Job = Creative Opportunity

Thursday, June 25th, 2009

Drifting Creatives is the blog of a pair of new graduates from a university in Texas. This week they’re spending time on the beach in Panama – and getting some work done while they’re at it.

From their about page: “We are creative problem solvers, aka designers. One problem we are trying to solve is joblessness. What are we doing about it? We are taking our design skillz to the road. Too many small towns don’t have access to smart design. We know we aren’t a huge design firm, but we think we can help out.” Instead of worrying about jobs, they’re getting out there, finding work along the way, and looking for solutions. Making connections online and in their industry. Going on the road leads to new perspectives.

Awhile back, England was going through a recession in 1981. In response to criticism & rising unemployment, Tory MP Sir Norman Tebbit said, “I grew up in the 1930s with an unemployed father. He didn’t riot. He got on his bike and looked for work, and he went on looking until he found it.”

Here’s another bloke who got on his bike and looked for work during a difficult English economy. In the early ’90s, Roy McClean [a.k.a. The Man] rode a rickety Dutch bike from Delft to Rotterdam after his university graduation. The short-term jobs he picked up along the way offered eclectic experiences: as a soap-factory worker, he was filmed for a documentary; he was a model of Dutch efficiency while planting tulip bulbs; and working as a shop-fitter was a first-hand lesson in the socialist-capitalist divide. This trip was a cultural immersion that gave him flexibility and a wider horizon.

Uncertain times offer unparalleled opportunities for growth – kudos to Drifting Creatives who are finding success in unexpected places, and making great design along the way.

Sand in my Laptop

Friday, June 19th, 2009

image_5

Some photos from a quiet island.

Deserted beaches during the slow season are a great way to experience the pace of island life. Koh Mak’s flat horizon bristles with palm and rubber trees, and down its sealed roads drive its quirky inhabitants. Some live there all year; most split their lives between Koh Mak and elsewhere. Almost none were born there.

Ko Mak Studio

The center of the island is covered in rubber plantations, owned by the “big three” families who were given the island by the King a century ago to keep it from the colonial claws of the French. At night you can sometimes see the latex tappers, who wear mosquito coils on their hats and lights on their foreheads.

I worked in three-hour blocks, and every day was different. Some days I transcribed notes from interviews in Laos and Vietnam; on others I sketched from memory and photo references, or finished the last reference books from White Lotus.

Ko Mak Studio

Off-season beaches get half the sun and are half the price of the tourist peak from November-March. My $5 bungalow was shaken by plenty of storms during the first week. Rain dripped through the thatched roof. Sand flew through slats of coconut wood into my mosquito net. But I just pulled my blanket tighter and slept through it.

Rainy days are the best kind of weather to get the work done. And that’s why I was there in the first place: for a real working holiday.

Sand in my Laptop

Tuesday, June 16th, 2009

coconut hut

My coconut-wood hut on Koh Mak island, Thailand

Some photos from a quiet island.

Deserted beaches during the slow season are a great way to experience the pace of island life. Koh Mak’s flat horizon bristles with palm and rubber trees, and down its sealed roads drive its quirky inhabitants. Some live there all year; most split their lives between Koh Mak and elsewhere. Almost none were born there.

The center of the island is covered in rubber plantations, owned by the “big three” families who were given the island by the King a century ago to keep it from the colonial claws of the French. At night you can sometimes see the latex tappers, who wear mosquito coils on their hats and lights on their foreheads.

coconut hut 2

Work-station window from my hut. I’m still shaking sand from my laptop

I’ve been working in three-hour blocks, and every day is different. Some days I transcribed notes from interviews in Laos and Vietnam; on others I sketched from memory and photo references, or finished the last reference books from White Lotus.

coconut hut 3

The open design let in plenty of breezes – and sand too

Off-season beaches get half the sun and are half the price of the tourist peak from November-March. My $5 bungalow was shaken by plenty of storms during the first week. Rain dripped through the thatched roof. Sand flew through slats of coconut wood into my mosquito net. But I just pulled my blanket tighter and slept through it.

Rainy days are the best kind of weather to get the work done. And that’s why I was here in the first place: for a real working holiday. Now it’s time for the last part of my paper quest: the highlands of northeast and northwest Vietnam

About Me

I'm an american artist with an Asian focus.
I paint sharp-witted women.
I print blue photos of disappearing places. Sometimes I work in Sydney, sometimes I work in Asia. You can keep up and connect with me on Twitter, and Facebook, and Flickr

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